Entertainment

Shane Black Has Been Waiting All His Life To Make A Parker Movie

How A Fake Rock Doc Tapped Into Pop Culture and Landed A Sequel

A Big, Bold, Beautiful Kogonada Interview

Bryan Fuller Has Unfinished Business With 'Hannibal'

Spike Lee on 'Highest 2 Lowest,' Timothée Chalamet, And The Pitfalls Of AI

'The Toxic Avenger' Keeps The Gore But Adds More Heart

How 'Relay’s Analog Tech Gives The Classic Noir A Fresh Look

The Creator Of One Iconic Star Wars Villain Is Ready For A Comeback

No One Loves Animation As Much As Genndy Tartakovsky

The Ending Of 'Weapons' Was Almost So Much Darker

The Resident Evil Remake Is “Not Going To Tell Leon’s Story,” Zach Cregger Says

How 'Keeper' Solidified A Perfect Match In Horror

How Star Trek Crafted A Metafictional Version Of Itself

'For All Mankind' Showrunners Promise Season 5 Will Be Worth The Wait

Inside 'Twisted Metal’s Bigger And Better Season 2

Reed Richards Isn't Leading The Avengers In 'Doomsday,' Matt Shakman Clarifies

'If I Had Legs I’d Kick You' Won’t Let You Look Away

'Talamasca: The Secret Order' Is A Supernatural Spy Thriller With No Thrills

'Exit 8' Hits Surprisingly Close To Home

'Roofman' Smartly Breaks Out Of The "True Story" Movie Trap

'The Woman In Cabin 10' Is A Shallow But Entertaining Psychological Thriller

'The Chair Company' Is The Perfect Conspiracy Thriller

'Good Fortune' Is 'It’s A Wonderful Life' For The Gig Economy

'A House of Dynamite' Is Tension, Distilled

'Dust Bunny' Is A Monstrously Fun Dark Fantasy

'Tron: Ares' Is Too Pure For This World

Review: 'Bone Lake' Is Drowning In Its Own Ambitions

'The Lost Bus' Tries Too Hard To Bring Back The Disaster Movie

'The Smashing Machine' Feels Like A Good Cry

'Shelby Oaks' Just Scratches The Surface Of Horror Greatness

'Good Luck, Have Fun, Don’t Die' Is The Apocalyptic Wake-Up Call We Need

'Black Phone 2' Is Too High-Minded For Its Own Good