Entertainment

The Inverse Interview

Spoilers

'Masters Of The Universe' Reminds Us Of What He-Man Has Always Been

Exclusive

'Saw II' Director Reveals The One Way The Franchise Can Survive

Exclusive

The Director of 'Backrooms' Reveals What You Need — And Don’t Need — To Know

Reel Science

Can We Talk To Trees? The Surprising Science Behind Plant “Intelligence”

Spoilers

One Small Detail Could Change the Ending of 'Obsession'

The Inverse Interview

Curry Barker Is Not Editing For YouTube Anymore

Spoilers

The Ending Of 'Hokum' Is Way Kinder Than It Could Have Been

Inverse Recommends

'Widow’s Bay' Strikes A Bonkers Balance Between Stephen King And 'Atlanta'

Spoilers

'Mother Mary' Could Have Only Been A Ghost Story

Exclusive

'The Mandalorian And Grogu' Made Me A Believer

Exclusive

In This Brazilian Dystopia, An Elderly Woman Fights For Her Freedom

The Inverse Interview

How 'Exit 8' “Blurs the Line Between Video Games and Movies”

Exclusive

How Riz Ahmed’s 'Hamlet' Makes Shakespeare Edgy Again

The Inverse Interview

The Forgotten Story Of An Accidental Phone Hacker

The Inverse Interview

Kelly Marie Tran Helps Unearth A Ghostly Slice Of History

The Inverse Interview

'Black Zombie' Unearths The Ugly Truth Of An Iconic Horror Staple

Reviews

Review

'House Of The Dragon' Reclaims The Magic, Fire, And Blood Of Its First Season

Review

The Brutal Poetry Of 'The Death of Robin Hood'

Review

'Stop! That! Train!' Is a Deeply Unserious Movie — And It Knows It

Review

'The Furious' Is Action-Movie Excess at Its Most Exhilarating

Opinion

Maybe It's Time We Put The Scary Movie Series Out To Pasture

Review

'Disclosure Day' Wants You To Believe

Review

'My Adventures With Superman' Is Oddly Obsessed With The Future

Review

'The Vampire Lestat' Is Sublime Camp — Except When It Isn’t

Review

'Cape Fear' Is A Surprisingly Different (And Great) Remake

Review

'Masters Of The Universe' Achieves The Impossible

Review

The Delirious 'Victorian Psycho' Gives Maika Monroe Her Best Role Yet

Review

'Star City' Is A Moody, Riveting Sci-Fi Thriller With A Deceptively Simple Premise

Review

'Backrooms' Is A Visionary Setting In Search Of A Great Story

Review

'Spider-Noir' Injects A Familiar Story With Some Good, Old-Fashioned Style

Review

'Passenger' Is A Van-Life Horror Movie Running on Empty

Review

'Sheep In The Box' Is An A.I. Reckoning In Search Of An Ending

Inverse Recommends

Yes, 'Rick And Morty' Is Still Going — Here's Why It's Worth Tuning In Again

By Dais Johnston

Dan Harmon and Scott Marder talk about why the long-running series still has the juice.

Rule Them All

Anya Taylor-Joy Is Joining 'The Hunt For Gollum' —As An Elf

By Lyvie Scott

But what kind of elf do we have here?

Entertainment News

Can They Really Make A Movie Out Of 'Dead By Daylight'?

By Chrishaun Baker

The adaptation has a director now, but it still needs a plot.

Trailers

'The Last House' Revives The Horrors Of Lockdown With A Supernatural Twist

By Lyvie Scott

Home is a prison and protection in Netflix’s new survival thriller.

Review

'House Of The Dragon' Reclaims The Magic, Fire, And Blood Of Its First Season

By Lyvie Scott

The Thrones prequel gains a newfound confidence that brings it into its destiny.

Exclusive

How 'The Vampire Lestat' Sneakily Introduces The New, Improved Louis

By Lyvie Scott

“It speaks to where Louis is at by this season that he’s able to relax into a conversational thing.”

Rewind

25 Years Later, 'Lara Croft: Tomb Raider' Is A Wild Relic Of The Past

By Mark Hill

To see a world in a grain of sand, and then blast the Chemical Brothers at it.

Rewind

How A Stop-Motion Animation Genius Pioneered The Flying Saucer Movie

By Jon O'Brien

The 1956 cult classic was the blueprint for UFO movies going forward.

Rewind

'Clash Of The Titans' Marked The End Of An Era In Filmmaking

By Don Kaye

Ray Harryhausen’s magnum opus came out just as the tide shift for stop-motion effects was taking place in Hollywood.

News

George Miller Wants to Take 'Mad Max' for One Last Glorious Ride

By Katie Rife

A franchise lives. It dies. It lives again.