Entertainment

How One Line Changed 'Rose Of Nevada' For The Better

How Michael Sarnoski Created “A Good Death” For Robin Hood

'Masters Of The Universe' Reminds Us Of What He-Man Has Always Been

'Saw II' Director Reveals The One Way The Franchise Can Survive

The Director of 'Backrooms' Reveals What You Need — And Don’t Need — To Know

Can We Talk To Trees? The Surprising Science Behind Plant “Intelligence”

One Small Detail Could Change the Ending of 'Obsession'

Curry Barker Is Not Editing For YouTube Anymore

The Ending Of 'Hokum' Is Way Kinder Than It Could Have Been

'Widow’s Bay' Strikes A Bonkers Balance Between Stephen King And 'Atlanta'

'Mother Mary' Could Have Only Been A Ghost Story

'The Mandalorian And Grogu' Made Me A Believer

In This Brazilian Dystopia, An Elderly Woman Fights For Her Freedom

How 'Exit 8' “Blurs the Line Between Video Games and Movies”

How Riz Ahmed’s 'Hamlet' Makes Shakespeare Edgy Again

The Forgotten Story Of An Accidental Phone Hacker

'Supergirl' Shoots For The Stars, And Lands In The Middle

'I Am Frankelda' Is A Staggering Monument To The Power Of Human Creativity

'Sugar' Season 2 Still Doesn’t Need To Be A Sci-Fi Saga

In 'Leviticus,' The Monster Is in the Closet

'Widow’s Bay' Is A Haunting Contender For Best Show Of The Year

'The Agency' Season 2 Blows Other Spy Shows Out Of The Water

'Toy Story' Gives Itself License To Go On Forever

'House Of The Dragon' Reclaims The Magic, Fire, And Blood Of Its First Season

The Brutal Poetry Of 'The Death of Robin Hood'

'Stop! That! Train!' Is a Deeply Unserious Movie — And It Knows It

'The Furious' Is Action-Movie Excess at Its Most Exhilarating

Maybe It's Time We Put The Scary Movie Series Out To Pasture

'Disclosure Day' Wants You To Believe

'My Adventures With Superman' Is Oddly Obsessed With The Future

'The Vampire Lestat' Is Sublime Camp — Except When It Isn’t

'Cape Fear' Is A Surprisingly Different (And Great) Remake