Entertainment

The Inverse Interview

Exclusive

What The Heck Is With That Ending To 'Hope'?

The Inverse Interview

'Hope' Director Na Hong-Jin Explains Why The Aliens Look That Way

Exclusive

'It Ends' Director Talks That Ambiguous Ending

Exclusive

Yes, 'The Magic Faraway Tree' Is A Real Movie — And It Could Be A New Cozy Classic

Exclusive

'Wet Hot American Summer' Director David Wain Reveals He Almost Directed 'Ant-Man'

The Inverse Interview

Chris Carter Wants To Believe

The Force

Why 'The Ninth Jedi' Changed Lightsabers As We Know Them

The Inverse Interview

Kiyoshi Kurosawa Doesn’t See 'The Samurai and the Prisoner' As A Mystery Movie

Exclusive

'The Rings Of Power' Finally Explains Where Celeborn’s Been Hiding

Exclusive

Destin Daniel Cretton’s Naruto Movie Will Stay “Very Close” To The Original

Exclusive

How Destin Daniel Cretton Brought Spider-Man Back To Earth

The Inverse Interview

The Director Of 2026’s Most Provocative Erotic Thriller Is Quite Wholesome

Spoilers

'Supergirl’s Ending Brings Kara Back To Earth, In More Than One Way

Spoilers

How One Line Changed 'Rose Of Nevada' For The Better

Exclusive

How Michael Sarnoski Created “A Good Death” For Robin Hood

Spoilers

'Masters Of The Universe' Reminds Us Of What He-Man Has Always Been

Reviews

TIFF 2026 Review

'The Face of Horror' Is a Feminist Art-Horror Fairytale Like No Other

Review

Maybe 'Stranger Things' Should’ve Always Been A Saturday Morning Cartoon

Review

'Resident Evil' Is A New Benchmark For The Video Game Movie

TIFF 2026 Review

Get Swept Up in the Terrifying Current of 'River,' Horror’s Next Big Thing

Review

'Slow Horses' Season 6 Reaches A New Pinnacle For The Show

Review

In 'Reacher' Season 4, Bigger Was Better

Review

'The Uprising' Wants To Be A Superhero Origin Story. It’s Better As A Revenge Epic.

Review

'Chronovisor' Is The Year’s Most Absorbing — and Unusual — Mystery

Review

'The Gentlemen' Season 2 Is Splashy And Stylish Business As Usual

Review

'Fall 2: Deadpoint' Lands With A Splat

Review

'Onslaught' Is an Action Movie for Today’s America

Review

'Idiots' Is Kind of Dumb (Not That There’s Anything Wrong with That)

Review

In Season 2, 'Dark Matter’s Multiverse Expands, Bringing Bigger Sci-Fi Twists

Review

Robert De Niro Hunts the Same Killer Twice in the Netflix Crime Thriller 'The Whisper Man'

Review

'Coyote vs. Acme' Brings The Live-Action Hybrid Movie To The Next Level

Review

'Colony' Resurrects Some of Zombie Cinema’s Greatest Hits

Movies

A Massive Star Wars Record Was Just Broken In The Most Surprising Way

By Lyvie Scott

But what does it mean?

TIFF 2026 Review

'The Face of Horror' Is a Feminist Art-Horror Fairytale Like No Other

By Katie Rife

Based on an iconic Japanese ghost story, the heightened aesthetics and tragic fatalism of Anna Biller’s latest feminist art-horror film are nothing less than sublime.

Rewind

The Original 'Mission: Impossible' Remains Tragically Underrated

By Ryan Britt

Your mission, should you decide to accept it.

Review

Maybe 'Stranger Things' Should’ve Always Been A Saturday Morning Cartoon

By Dais Johnston

The animated series matures into its own story in Season 2.

Set Visit

Animation Has Become A Computer-Generated Industry. LAIKA Would Rather Do It By Hand.

By Hoai-Tran Bui

Everything in LAIKA’s latest fantasy epic, Wildwood, has been painstakingly crafted for the movie. Nothing will be reused.

Cheatsheet

Here’s Everything You Need To Know About Netflix’s 'Narnia' Movies

By Dais Johnston

Putting the nephew before the wardrobe.

Trailers

'Sacrifice' Is Finally Getting The Release It Deserves

By Lyvie Scott

The most misunderstood eco-thriller is exactly what we need right now.

Review

'Resident Evil' Is A New Benchmark For The Video Game Movie

By Chrishaun Baker

Zach Cregger's reboot is proof that video game adaptations don't have to choose between being good or being respectful to the source.

Trailers

'Hunger Games: Sunrise On The Reaping' Trailer Reveals The Beginning Of The End

By Dais Johnston

“The question is, Haymitch, why do you agree to it? Why do any of us?”

Inverse Recommends

15 Years Later, 'Drive' Is Still Gorgeous, Subversive, And Brutal

By Mark Hill

Is Ryan Gosling a real hero?