Hoai-Tran Bui

Hoai-Tran Bui is the Entertainment Editor at Inverse. She previously was an editor and film critic at SlashFilm, and her work has appeared in USA Today and The Washington Post. She is a Rotten Tomatoes-certified critic and co-hosts a Doctor Who/Star Trek podcast called Trekking Through Time and Space.

Hoai-Tran likes people, places, and things. She also probably likes being online too much. Her favorite movie vacillates between Spirited Away, Before Sunset, and Eternal Sunshine of the Spotless Mind, though Chungking Express is making its way up there. Hoai-Tran is probably due for a re-evaluation of her favorite movie.

Review

'Predator: Badlands' Is A Magic Trick Of A Blockbuster Movie

They did it, they made a Predator movie that your family can watch.

By Hoai-Tran Bui
Movies

This Bizarre New Horror Movie Was Made By AI. Here’s Why It’s More Interesting Than You Think

In Radu Jude’s Dracula, a filmmaker uses AI to make a Dracula movie. Yes, that Dracula.

By Hoai-Tran Bui
Review

'The Ballad Of A Small Player' Is Best When It Leans Into Ghostly Quirks

Edward Berger’s Conclave follow-up is a gambling thriller that takes a surprising supernatural turn.

By Hoai-Tran Bui
Spoilers

'Bugonia' Was Always Going To End This Way

Bugonia writer Will Tracy talks about the bleak ending, and why it speaks so urgently to this moment in time.

By Hoai-Tran Bui
The Inverse Interview

How Mary Bronstein’s Personal Crisis Created The Most Distressing Movie Of The Year

“When you're uncomfortable, you laugh.”

By Hoai-Tran Bui
Exclusive

Guillermo del Toro Finally Puts His Unmade 'At The Mountains of Madness Movie' To Rest

“I don't think people are lining up to do it.”

By Hoai-Tran Bui
Review

'The Mastermind' Redefines the Heist Movie

Kelly Reichardt channels the shaggy ‘70s heist thriller in her captivating latest.

By Hoai-Tran Bui
Review

'It Was Just An Accident' Is A Darkly Comic Masterwork

The Cannes Palme D’or winner is one of the best movies of the year.

By Hoai-Tran Bui
Review

'If I Had Legs I’d Kick You' Won’t Let You Look Away

Rose Byrne gives an all-time great performance as a woman on the edge of a breakdown.

By Hoai-Tran Bui
Review

'Roofman' Smartly Breaks Out Of The "True Story" Movie Trap

Channing Tatum is... Roofman.

By Hoai-Tran Bui
NYFF 2025 Review

'A House of Dynamite' Is Tension, Distilled

Kathryn Bigelow makes the nuclear apocalypse real in a nerve-wracking political thriller.

By Hoai-Tran Bui
The Inverse Interview

Shane Black Has Been Waiting All His Life To Make A Parker Movie

Plus: Why Black “would love to do” The Nice Guys 2.

By Hoai-Tran Bui
The Inverse Interview

A Big, Bold, Beautiful Kogonada Interview

The director of the Colin Farrell and Margot Robbie-led fantasy film talks anime, Joe Hisaishi, and making Farrell dance.

By Hoai-Tran Bui
Review

'One Battle After Another' Is A Bracingly Relevant Modern American Masterpiece

Leonardo DiCaprio has never been better than in Paul Thomas Anderson’s revolutionary thriller.

By Hoai-Tran Bui
Review

'A Big Bold Beautiful Journey' Wants To Make You Swoon

Kogonada takes a dip into magical realism with the sweetly sentimental fantasy led by Colin Farrell and Margot Robbie.

By Hoai-Tran Bui
Review

A Chilling Dystopian Future Not Far Off From Our Own Reality

Neo Sora’s Happyend is a slice-of-life story set in a surveillance state.

By Hoai-Tran Bui
Review

'Only Murders In the Building' Season 5 Has Still Got It

The murder-mystery show returns for a low-key, but still wildly entertaining, fifth season.

By Hoai-Tran Bui
Venice 2025 Review

'No Other Choice' Is Nothing Short Of Spectacular

Park Chan-wook’s zany social thriller plays like a reverse Parasite — and it's a hoot.

By Hoai-Tran Bui
Venice 2025 Review

'Frankenstein' Is Slavishly Faithful, Almost To A Fault

Guillermo del Toro gives us sympathy for the monster in a beautiful, indulgent, and often labored, adaptation of Mary Shelley’s classic sci-fi horror story.

By Hoai-Tran Bui
Venice 2025 Review

You’ll Never Be Able To Guess Where 'Bugonia' Goes Next

Emma Stone may or may not be an alien in Yorgos Lanthimos’ taut black comedy.

By Hoai-Tran Bui